Manifold - Yihan Chen (b. 1991) and Fengyi Zhu (b. 1993) - focuses on creating works in the form of alternative furniture typologies that constructs narratives through the combination of forms, shapes and materials. Such narratives are often developed with the goal to reveal the subtle intentions and logics behind the visually persuasive presence - each piece is made and designed with the attempt to imply and echo conflicts, concords, and emotions through aesthetics.

For all kinds of inquiries - email us at hello@manifold.tv, and check our Instagram for the most recent updates.


Archives:

As Seen By, curated by Rimowa

Melt, curated by Adorno

Stilllife art fair

Collectible 2022, Curated Section
Ocean 2, curated by Slime Engine





© Manifold 2020 - 2023

 


Manifold - Yihan Chen (b. 1991) and Fengyi Zhu (b. 1993) - focuses on creating works in the form of alternative furniture typologies that constructs narratives through the combination of forms, shapes and materials. Such narratives are often developed with the goal to reveal the subtle intentions and logics behind the visually persuasive presence - each piece is made and designed with the attempt to imply and echo conflicts, concords, and emotions through aesthetics.

For all kinds of inquires - email us at hello@manifold.tv, and check our Instagram for the most recent updates.




Skin (Chair), 2022


Foam, wood, custom upholstery
45 x 90 x 50 cm. (W x H x D)
Unique


︎Created at the Santoni Pioneer Program with production support from Hanbing Liu. By accessing the unique tubular knitting technology from Santoni, we are able to create a one-of-kind fabric that is seamless and has a sense of 3D volume. The fabric acts as a skin to the chair by covering it, and the bumpy muscle pattern of the fabric become the ornaments of the chair and therefore visually alter the shape of it. It is inspired by the concept of displacement texture from the 3D content creation, and this is our attempt to sculpt an object in the real world with the digital approach.